
Max McLean, playwright and actor, has adapted Lewis’ Screwtape Letters into a two-person stage performance. McLean plays Screwtape on a single stage along with Toadpipe, who slithers about his feet, climbing about the set taking dictation of Screwtape’s “advice”—most of which is taken verbatim from the book. A friend and his wife attended a performance recently in Chicago.
My friends couldn’t imagine how anyone would turn a story, based exclusively on letters, into a entertaining stage act but found that McLean has written an almost perfect adaptation by cleverly mixing modern interpretations of evil with Lewis’ original text. In doing so, McLean shows just how timeless and fixed evil is, a point illustrated often by Lewis. My friends report that for all its deviations, the play stays true to the original story. The set, aside from the sinister lighting, never switches from Screwtape’s layer in hell where he pontificates to his hapless nephew Wormwood. For the all the dark tones of the Screwtape Letters, the play is funny, just as Lewis would have intended, for a major part of his project was to mock the devil himself.
Lewis, after repeated requests to make a sequel to Screwtape, refused because it forced him to think too much like a evil demon. (He was able to, as Fitzgerald said, “…live in the Book.”) Despite the numerous obituaries, theater is not quite dead in America.
(Many thanks to JFH.)
My friends couldn’t imagine how anyone would turn a story, based exclusively on letters, into a entertaining stage act but found that McLean has written an almost perfect adaptation by cleverly mixing modern interpretations of evil with Lewis’ original text. In doing so, McLean shows just how timeless and fixed evil is, a point illustrated often by Lewis. My friends report that for all its deviations, the play stays true to the original story. The set, aside from the sinister lighting, never switches from Screwtape’s layer in hell where he pontificates to his hapless nephew Wormwood. For the all the dark tones of the Screwtape Letters, the play is funny, just as Lewis would have intended, for a major part of his project was to mock the devil himself.
Lewis, after repeated requests to make a sequel to Screwtape, refused because it forced him to think too much like a evil demon. (He was able to, as Fitzgerald said, “…live in the Book.”) Despite the numerous obituaries, theater is not quite dead in America.
(Many thanks to JFH.)
Eric Voegelin







